A Tall Grass of Open Hands (excerpt) 

Rose quartz bears witness to their selves in images they offer, depth floats above this complexity as surface, their intentionality is substantive, claiming but not requiring our witness. And so temenos can act as  transitory subsistence of location in place, of focussing, holding, hearing… where individual and world soul animate across thresholds and each other, coalescing and appearing as feeling in their entangled relations, their virtuality and their actuality communicating. This is about energy we invest in  personal experience of entanglement. 

Tonotopic analysis (place as conduit of intimate experience in unfolding of a life)  has helped me glean understanding with regard an ongoing emotional and affective response to being in and going about world. They’re a term who has negated their selves, in essence, requiring a process of loosening to point of effluvial vanishing. 

As place, words hold within other places, other words, cycles, stages, brimmed wholes, concerns, merging opposites so far apart that all conscious connection between them is lost, whilst nevertheless retaining an image. Frequencies hold within themselves other frequencies, other names. This kind of analysis is prone to let events happen (to not get in their way), whereupon psychic processes express themselves often through symbols, magic, synchronicities, starshake, soundwaves, entanglement, all of whom underlie a poetic basis of mind, a vibrant ego death as birth, a slow transformation of words in epistemology and ethic, identity as cosmological tissue. 

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